Seeking typographic inspiration this summer? Explore our handpicked collection of this month’s most captivating new releases.
July emerges as a remarkable period for typographic innovation, with creators expanding the limits of font creation—from considerate revivals that reimagine century-old designs for modern applications to daring Experimental Typefaces that emphasize character over tradition.
The momentum continues building as several design studios introduce new typography-focused initiatives. Consider D8, a creative agency headquartered in Glasgow with international studios across Europe and Asia. They recently unveiled their sister foundry, abcD8, specializing in Custom Fonts for Branding ownership.
“Essentially, we create bespoke typefaces for brands through one-time payments: no complications, no licensing fees, no surprise charges,” states D8 co-founder Adrian Carroll. “This approach emerged because major font libraries have modified their licensing structures. They now require clients to pay yearly fees, which can escalate significantly for global companies using type in broadcasting applications.
“Multiple clients contacted us about this challenge,” he continues. “This led us to formalize our approach with abcD8’s launch. We’ve already developed typefaces for Walker’s Shortbread, Benromach, Chivas Regal, Canal+, and NPO (Dutch Public broadcaster)—our most extensive font project yet.”
Meanwhile, Parisian design studio Brand Brothers has revealed their new display foundry concentrating on Experimental Typefaces. “Double B Type emphasizes typefaces with powerful visual and decorative impact,” explains Johan Debit, designer and Brand Brothers co-founder.
“These are typefaces created to generate surprise, establish new territories, and define fresh boundaries. We’ve recently launched five new display typefaces, rooted in experimentation pleasure, reflecting our identity work. This represents our foundry’s first version, which will expand through ongoing research and community feedback.”
The Font Design Tools helping us explore new typography are also advancing. Fonts Ninja, the browser extension utilized by over 900,000 users, recently introduced a significant update featuring enhanced font recognition powered by proprietary algorithms. Their Pinterest-inspired platform now catalogs more than 150,000 fonts from foundries globally.
But what about the typefaces themselves? Continue reading to discover six new releases this July that could energize your creative endeavors.
1. Lost by Federico Parra Barrios
Lost originated from designer Federico Parra Barrios’ relocation from Bogotá to Berlin in early 2024. His captivation with the city’s embossed metal signage inspired him to examine how distortion transforms letterforms.
This variable font spans from Normal to Compressed width—as characters narrow, stems become thinner while connections thicken and round out, mirroring metal plaque distortions. Lost provides contemporary letterforms perfect for expressive headlines (condensed styles) and body text (standard width).
The typeface demonstrates how geographical inspiration can influence Typography Trends 2025, combining historical reference with modern technical capabilities through variable font technology.
2. Tausend by Christoph Koeberlin and Gabriel Richter
Tausend represents exceptional work from Fontwerk, created by Christoph Koeberlin alongside Gabriel Richter. Following successful releases like Pangea and FF Mark, this thoughtful tribute to Akzidenz-Grotesk offers a renewed perspective on grotesque tradition.
This comprehensive superfamily exhibits extraordinary adaptability, with variable font technology enabling smooth transitions. Tausend respects typographic legacy while meeting contemporary design requirements—recognizable yet current, connecting historical foundation with practical functionality.
The family exemplifies current New Typefaces 2025 by balancing heritage appreciation with modern technical innovation.
3. RT Lately by RazziaType
RT Lately serves as a time-traveling observer of gothic development, building upon more than a century of technological and stylistic evolution. Mirco Schiavone’s design references Times Gothic (1906) and Franklin Gothic, transforming their harsh geometry into gentler, more welcoming forms.
The typeface showcases generously broad proportions with geometric circular letters, horizontally trimmed terminals, and tight apertures. Square punctuation creates beautiful contrast with round shapes, while stylistic alternatives (single-story a and g) can emphasize geometric characteristics when enabled.
This release demonstrates how Typography Trends 2025 embrace historical reinterpretation through contemporary sensibilities.
4. Bus Sign by Applied Systems
Bus Sign takes inspiration from early 1900s UK transportation signage, particularly double-decker bus route displays. This tall, condensed sans-serif captures original signage essence while incorporating modern refinements.
Created for large-format printing and headlines, the font includes high x-height, guaranteeing reliable legibility across sizes. Balancing historical accuracy with practical utility, it serves heritage projects and contemporary applications requiring British character.
The typeface represents how Custom Fonts for Branding can draw from cultural heritage while serving modern communication needs.
5. Karel by Typonym
Karel draws inspiration from glyphs on a mid-century Prague plaque, combining historical discovery with contemporary innovation. Developed for brand messaging and retail identity, it includes alternative figures to adjust stylization levels.
Karel accommodates over 200 languages with comprehensive OpenType features and balances uniqueness with functionality. Additional weights are under development, including variable font options, spanning hairline to black.
This typeface showcases how New Typefaces 2025 can honor specific cultural moments while providing global utility.
6. SLTF Rigale by Silver Stag Type
SLTF Rigale presents bold, funky, and irresistibly playful characteristics. Designed to energize creative projects, it features curved forms, wide stance, and distinctive ink traps. Simply put, it’s personality-rich for designers seeking distinction: creating impactful, expressive results while maintaining technical excellence.
Successfully balancing retro charm with contemporary confidence, this typeface suits branding, packaging, and social media graphics perfectly.
SLTF Rigale exemplifies how Experimental Typefaces can merge nostalgic appeal with modern design sensibilities.
For more information on branding, graphic design, illustration, product design, or packaging design, Typefaces visit Brandlic.
